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Match to Flame 16

posted on February 25, 2016

Match NEA

Walking into NEA’s offices in an old warehouse on West Third Street was like walking into a time machine. The bulk of NEA’s roster was relics of a bygone era. Big blowups of strips like Our Boarding House and Alley OOP hung on the walls around a large open bullpen filled with desks and drawing boards covered with paper and comic strips. I met with the manager of their comic art department, the guy with the coolest name in the newspaper business, Flash Fairfield. Flash was a lanky character right out of a Hollywood B movie. The only thing missing was an eyeshade and garters on his shirtsleeves. Flash was also the perfect guy for a budding young cartoonist to run into. He sat down with me, I showed him my samples, and we spent the rest of the afternoon not only talking about the work I’d brought in but about comics in general and about how a good comic strip was constructed.

*From the introduction to The Complete Funky Winkerbean Vol. One

Anatomy of a Cover – One

posted on February 20, 2016

Anatomy of a cover 1A

Anatomy of a cover 1B

Anatomy of a cover 1C

Flash Fridays – The Flash #127

posted on February 19, 2016

The Flash no.127

This issue marks the first reappearance of Grodd the Super-Gorilla since #115, (my very first issue of the and encounter with The Flash, the heartwarming details of which can all be found elsewhere on on this blog although you may want to wait until I’ve finished tagging everything). What’s cool and one of the things that I relished about The Flash is how the story picks up directly where issue #115 leaves off albeit with a gap of time. The story opens in the state penitentiary as Dawson, the man whose body Grodd’s brain had taken over, is being released (I’ve always wondered where Dawson’s brain went – I smell a story there).

Dawson has been becoming more and more hirsute as his gorilla brain has been transforming his body back to its original gorilla wonderfulness. The changeover finally becomes complete when Dawson  returns to Gorilla City in deepest darkest Africa after having apparently walked there. As Grodd enters the city, he almost immediately becomes enamored of a female gorilla named Boka, and just as quickly learns that she is the betrothed of Solovar the king of Gorilla City. Grodd immediately returns to his secret lair and invents a machine that can bathe him in neo-magnatism, which will make anyone who sees him admire him uncontrollably and fall in love with him. I can’t tell you what an appealing concept that is to a twelve-year-old, and possibly an insight into the mind of the story’s writer that should best be left unexplored.

Needless to say, the neo-magnatism works like a charm and soon Grodd has not only won the heart of Boka but has been crowned king of Gorilla City. Naturally, this is never enough and soon we find Grodd in Central City where he plans to become mayor of the city, and then president of the country, and eventually, with apologies to Leonardo DiCaprio, king of the world. Of course, these shenanigans draw the attention of the Flash who, after several valiant efforts, finally figures out a way to overcome Grodd. The story ends with Grodd behind bars again and a caption that reads: “But is Grodd… behind heavy bars and in a darkened cell to prevent even the sight of him… really helpless? Perhaps… but perhaps not. Our advice is… keep your eye on future issues of this magazine to play it safe!” – which, of course, I was planning to do without being told. The odd thing is that the caption I just quoted was removed from the archive edition of The Flash. Why this would be is beyond me since, in the archive book, all you had to do to see future issues was turn the pages.